Micro-PIXE analysis of an Egyptian Papyrus

Identification of the pigments used for the "Book of the Dead"

A-M. B. Olsson1, T. Calligaro2S. Colinart2 , J.C. Dran2N.E.G. Lövestam3B. Moignard2 and J. Salomon2

1University of Göteborg, SE-405 30 Göteborg, Sweden 
2Centre de recherche et de restauration des musées de France, CNRS UMR 171, Palais du Louvre Paris, France 
3Chalmers University of Technology, SE-412 96 Göteborg, Sweden




View of the external microprobe set-up with the papyrus in place


The Papyrus KM 21933 consists of hieroglyphic text ended by a painted vignette. It forms the right end of a “Book of the Dead” from the Theban 19th Dynasty (c.1295- 1186 B.C.). This name is given to religious funerary texts and spells for protection and guidance of the deceased entering the afterlife. Probably discovered in the 1820 ́s, it was acquired in Berlin in 1912 by The Kulturen Museum in Lund, Sweden.

Objectives
1) study the elemental composition of the inks and paints 
2) search for anachronistic pigments that would reveal a forgery 
3) identify undocumented preservation or restoration treatment

 




Painted part of the papyrus (vignette), showing Ash-au-hat and the goddess Ipet. The location of scanned areas and analysed spots are indicated ( 1:1 scale)

PIXE spectrum of white pigment : Sr and Mg are major constituents

 



Experimental set-up

  • PIXE with 3-MeV proton beam, ~0.6 nA
  • external microprobe Ø 50 μm, He atmosphere
  • 0.1μm thick Si3N4 exit window
  • 2 detectors to cover the 0.5-40 keV energy range
  • elemental maps by scanning the papyrus, beam fixed
  • images : 40mmx40mm areas, 200x200 pixels
  • dose monitoring using X-ray signal from exit window
  • MPAWIN multiparameter data acquisition system

Results:


 MPAWIN multiparameter data acquisition system
 results
 colour  material  pigment  formula  observation
 red  ink  hematite  Fe2O3  Fe line only
 black  ink  carbon (soot)  C  attenuation of O K-line
 red  painting  ochre  Fe oxide + clay  Fe, Al, Si, Ca lines
 blue  painting  egyptian blue  CaO.CuO.4SiO2  Cu, Si, Ca lines
 white  painting  huntite  Mg3Ca(CO3)4  Mg, Ca lines
 white  painting  celestite  SrSO4  Sr, S lines
 green  painting  verdigris  (CH3COO)2.Cu  Cu line only
 yellow  painting  orpiment  As2S3  As, S lines
 white  grains  insecticide ?  As2O3  As line only
Top topa

Conclusions:

  • analysed pigments agree with palette used in ancient Egypt: 
    Egypttiian blue, orpiimentt, verdiigriiss, ochre, hemattiitte 
    --> this papyrus is likely an authentic document
  • newly reported white pigment containing strontium: 
    possibly cellessttiitte SrSO4, a strontium ore occurring in Egypt
  • remains of insecticide treatment using arsenic oxide